The 2010 Double Crown
Belly Dance Competition™
Festival and International Bazaar
Information to be posted soon!
2007 Judging Criteria (New Information Posted soon)
Appearance / Costume
Make Up Artistry
Competitor is wearing make-up which enhances the eyes, cheeks, lips, etc. The competitor has taken into consideration, lights, staging area, distance from audience, etc. and has therefore not been drowned by lighting, etc. The use of artistry in this process should be a plus; the use of no make-up would contribute to a lower score.
Costume Appearance/Style
Costume should be neat, clean and free of wrinkles and dirt. Only body parts intended to be exposed, should be exposed. The costume is flattering to performer, fits properly and does not overpower nor take away from the performance. Costume should fit the style of dance being performed as well as work with the music.
Entertainment Ability
Poise and Posture
Competitor is balanced, steady in carriage of head and body (posture), self assured, in control of performance and able to recover from unexpected situations.
Personality, Creativity and Entertainment Level
Competitor has visual contact and rapport with the audience that obviously expresses feelings. Should possess the ability to appeal to the audience through ones individuality/personality. Competitor is able to draw the audience into the mood he/she/they are trying to convey and is enjoying what he/she/they are doing. Competitor should be innovative and imaginative in presentation.
Dance Ability
Entrance / Exit
Competitor should gain the audience’s attention the moment he/she/they hit/enter the stage or enter the room (Competitor may start on stage, therefore, his/her/their first movement, etc. would be considered in the entrance/opening presentation). The Competitor’s exit from the stage and/or the end of his/her/their choreography should be memorable and impactive. This however, may not necessarily be a physical exit off of the stage but an ENDING to the choreography; the FINALITY of it, so to speak. Keep in mind stomping from the stage, being silly, bows, thank you’s, etc., even after said choreography / ending will be considered in the exit portion of judging. Competitor should act appropriately at all times of performance.
Technique
The competitor’s mastery of movements/steps and ability to follow through with extensions and movements (to complete a move or step and not cut it short). Competitor should use a variety of steps that flow well together. A great dancer will make the most difficult of moves seem effortless and smooth and the most simple - the most impactive.
Isolations
The competitor’s ability to isolate separate parts of the body with minimal incidental movement of the rest of the body. Isolations should be clean, precise and very visible (leaving no doubt). Multiple isolations considered to be highly advanced.
Use of Space and Stage
Competitor’s ability to use the stage effectively, moving skillfully from one place to the next (the ability to use directional changes smoothly).
Musical Interpretation
Transitions
Competitor utilizes transitions in the music to his/her/their advantage with accents, etc. and should appear to "hear" transition points in the music as the body follows through. Transitions should be smooth and flowing.
Knowledge of Rhythms and Accents
The competitor should be moving with the music and not fighting or chasing it. This will be obvious by chosen moves and steps. Competitor uses stops, accents, etc. in the music appropriately.
Scarab Category
Blend of Dance Styles and Theme
Competitor should mix costumes, dance moves and music appropriately. The dance movement should be predominantly Middle Eastern in basics. However, to carry the theme of the music used, other dance styles should be incorporated (but not the predominant style).
Entertainment Value
It is Important to be able to engage and keep the attention of the audience through translation of music. Originality and creativity is strongly considered.
Nile And Gemini Categories
Choreography
The choreography should blend well with all performers in the troupe/duet and not appear to be too difficult for some while not challenging enough for others. During the performance if some dancers are strong and others are not averaging the score may be appropriate.
Precision / Unison
The competitors should work well together and appear to be performing as a troupe/duet, one in unison and not an individual’s own style as a soloist.
Judge’s Comments
(Included on all forms)
Constructive criticism only. No derogatory or hurtful remarks. Judges are to make their suggestions and comments in a professional, effective manner.
Scale
| 0=Not Demonstrated |
| 1-2=Poor |
| 3-4=Fair |
| 5=Average |
| 6-7=Above Average |
| 8-9=Excellent |
| 10=Superior |
Scoring is done via Computer Spread Sheet and also double checked via Calculator. The spreadsheet is formatted such that, if a judge inadvertently leaves a score off the sheet, the scorer is notified immediately so that the score can be added/included.